There was a lot of good stuff that came out last year that I’ve listened to and loved but never got around to writing about. Sometimes it was writers block, other times the albums got trampled by other releases, but mostly I just had too much school and work. Either way, here is a late, brief shotgun style tribute to some pretty great albums that I know I would never get around to otherwise.
Dungen
4
(09.2008, Kemado)
Swedish rock band Dungen seems to be frozen in an era of classic 70’s psych rock and lush folk. Even before bursting into the indie mainstream with the success of Ta Det Lugnt, the band had always had a retro fitted swagger. So, even though things haven’t changed drastically from the band’s beginnings and 4 is still satisfies with its muted drums, fuzzy guitars, smooth vocals.
James Blackshaw
Litany of Echoes
(06.2008, Tompkins Square)
Finally getting distance from some of those Fahey comparisons, on Litany of Echoes, Blackshaw sounds more like a disciple of Steve Reich. Though not quite as good as 2007’s The Cloud of Unknowing, Blackshaw’s latest builds and invents upon his previous works and promises only good things to come.
Dj/Rupture
Uproot
(10.2008, Agriculture)
Seems like dub has become a pretty fashionable genre in the last year or two, marked by plenty of reissues of dub classics, dub compilations and the introduction of dub aesthetics to hip hop and indie rock alike. And you know what? For the most part I’m not a big fan. On Uproot, Dj/Rupture has provided the perfect entry point with an eclectic mix that proves that there aren’t many Djs at working at Rupture’s standard.
-Mr. Thistle
3 comments:
I'm not really a huge fan of the whole Dubstep thing but I hear Uproot may change my mind. Kind of like the new Zomby record, which is good and all, but I still don't know if it's for me.
Zomby is groovaaay
you all know that Dub is kickin. and that it will always be around.
yall best quit frontin, b-fo i bust a cap.
whacked out haters.
andrew
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