Showing posts with label Grouper. Show all posts
Showing posts with label Grouper. Show all posts
Wednesday, April 13, 2011
Grouper - A I A (2011)
So, Grouper’s latest, A I A, was sold out before it was even released. The vinyl at least. I guess that’s what you get when you match the dark horse of ephemeral ghost-haze with Mississippi Records, a Portland label with only an email address (still, a label we love here at FG). Did no one see this coming? Kids are like piranhas these days when it comes to Grouper on vinyl. Virtually all of her recorded LPs are out of print (this despite each having been repressed numerous times). Didn’t anyone stop for a second and think, hmmm, people seem to really enjoy these Grouper records, maybe we should press a few more. Do you not make more money when you sell more records? Guarantee that within a week, there’ll be copies of A I A up on eBay for a boat of diamonds.
Of course, there is some substance to the madness; Liz’s voice has a way of pulling ships at sea into the rocks. Though, on A I A, containing a double dosage, you can no longer sit safely landlocked. Expect plenty of reports in the coming days of cars, trucks, bicyles, trains -- falling into the sea. A I A is like that: drowning.
Grouper - Dragging The Streets (first heart tone)
Grouper - She Loves Me That Way
Saturday, January 2, 2010
54.
GrouperCover The Windows And The Walls
(Root Strata, 2007)
No album on this list is more ghostly evasive and gauzy as Cover The Windows and The Walls by Grouper. The album’s seven tracks sound as if buried deep in the ground, perhaps six feet deep. Her hollowed guitar and muffled croon are like that of the Greek sirens, lulling listeners into the depths of the sea. It is no wonder that both pressings of the limited edition LP sold out in a split second each. As Liz Harris’ work continues to become more decipherable, Cover The Windows and The Walls will continue stand as the spectral soul of everything that makes Grouper so great.
-Thistle
Friday, June 20, 2008
Grouper - Dragging a Dead Deer Up a Hill
GrouperDragging a Dead Deer Up a Hill
(06.2008, Type)
Verdict = Dreamy and blissfully accessible
After last year’s maddeningly limited yet gloriously beautiful Cover the Windows and the Walls LP through the wonderful Root Strata imprint, Liz Harris’ Grouper project is back and this time around things are increasingly accessible in more ways than one. First off, as the second release this year from the rejuvenated Type label (he first being the incredible Float by Peter Broderick), you can rest at ease knowing that Dragging a Dead Deer Up a Hill (an amazing album title by the way) is by no means limited. In addition to a more standard, widely distributed release Grouper’s musical mysticisms are more approachable than they have ever been before. While her back catalog has always been shyly obfuscated by a heavy dose of Portland mist, Dragging a Dead Deer Up a Hill sees that selfsame mist receding into the background leaving Harris’ songs in the naked forefront. While the mist may be gone, the heavy, dreamy Grouper beauty that we have come to know, love and become lost in remains. Mostly just voice and guitar, Harris’ minimalistic approach still finds a way to fill every nook and cranny of the room, bleeding into every crevice like an unavoidable fog. Things stay pretty moody and gorgeous all the way through making Dragging a Dead Deer easy to digest. In fact, the album probably stands next to Stars of the Lid’s Tired Sounds as the next best thing to fall asleep to when restless. Completely disarming and gorgeous, Grouper created a haunting masterpiece that will resonate with you for days after you’ve listened to it…that is if you can go days without listening to it. Perfectly essential.
-Mr. Thistle
Grouper - Heavy Water / I'd Rather Be Sleeping
Friday, December 21, 2007
Mr. Thistles Top 50 of 2007
This list is the result of a constantly updated Excel spreadsheet that I have kept all year, so hopefully nothing deserving gets left out. The sad part is that I wasn’t able to listen to a few albums which I sampled (Sightings, John Wiese, Stars of the Lid, The North Sea) of which I am sure would have made the list. It is inevitable to miss a few though. At some point you just have to give up and post your list, right? Anyways, we’ll get to all those records on FG eventually. Having thoroughly enjoyed this year’s musical fruits I have opted to further inundate you with the ten picks preceding my top 50 albums of 2007 (51-60). This is essentially for my own piece of mind. I already feel horrible for some of the enjoyable albums I have cut (such is the mindset of a music obsessed geek). Hopefully the addition won’t be viewed as too pompous or overwhelming (a general characteristic of ‘lists’ as a whole anyway – I love them though!). You may note that I have also updated my top ten from the time that it was graciously featured in Slowtrain’s year end music-zine. It’s just been that kind of year. In the end, this list represents what has endured and what was just hype. Seeing as how I have give out a virtual 8.5 to everything I have reviewed (I review what I like, so what), we are discussing the potential of removing scoring all together from Forest Gospel’s album features (give us your opinion on this!). The goodness of an album can fluctuate based on mood and time as this list prove. These are the albums that held strong through the thick and thin, hope you likey…(PS – please share your agreements, disagreements and your own list [I know you have one] in the comments; be a virtual friend)
1. Sunset Rubdown – Random Spirit Lover – The most multi faceted package of pure orchestrated incredibleness. It has been a long time since I have been so enamored with something so easily labeled ‘indie rock.’
3. Pumice – Pebbles – My first true love of 2007. While it has been slightly upstaged by the albums I’ve placed in front of it, Pebbles is the kind of music that I wish that I would’ve created. Spanning territory from pop to drone to everything else in-between, Pumice is a versatile genius. Also, this would be a suitable blurb without the writing lo-fi.
4. Shugo Tokumaru – Exit – Imaginative folk pop perfection of the Japanese variety. Better than just about anything else you could be forced to call ‘charming.’
5. Aa (BIG A Little A) – Gaame – In a year with some great drumming, Aa’s Gaame has the best. Varied, wonderful, frantic rock that is the progressive as it is primal.
7. Bon Iver – For Emma, Forever Ago – The second most beautiful album of the year would be the most beautiful in any year that Grouper’s Cover the Windows and the Walls. Melancholy songwriting at its best.
8. Tim Hecker – Norberg - A puffy, billowy cloud of electro-acoustic bliss in just over twenty minutes. One singularly perfect, transcendent excursion.
9. Raccoo-oo-oon – Behold Secret Kingdom – A production miracle, Raccoo-oo-oon has taken everything that has made them mysterious noise rock maestros and channeled it into a crisp, resilient beast of a record. Behold Secret Kingdom is their masterpiece.
10. Animal Collective – Strawberry Jam – poppy and weird, Animal Collective continue to knock the socks off every, regardless of when and where you heard them first. Perfect for old timey AC fans and nubes alike.
11. Wooden Wand – James & The Quiet – Pure, strong American songwriting of incredible quality. One of the most critically underrated albums of the year in my view.
12. No Age – Weirdo Rippers - Turning arty noise rock into accessible slabs of punk perfection. One of my favourite new bands of 2007.
13. Marnie Stern – In Advance of the Broken Arm - Incredible guitar work supplemented by incredible drumming from Hella. Marnie Stern’s debut was the first great CD I heard in 2007 and it is still as beautifully dangerous as ever.
14. Ben Frost – Theory of Machines – The pure combination of machine and humanity, Ben Frost’s Theory of Machines is an apocalyptic exercise in grinding cinematics.
15. Deerhoof – Friend Opportunity – The most accessible album from one of the best experimental indie rock bands of our generation. An early release date may have caused a lot of people to forget about this one. Amazingly amazing.
16. Beirut – The Flying Club Cup – Didn’t hit the heights of Elephant Gun for me, but was definitely a solid effort in music that can only be measured in terms of grandeur. Blissfully reaffirming music from the boy wonder.
18. Navigator – Throwing Toungues – An on honest, penetrating album of lo-fi bedroom songs that require repeat listens.
19. Gowns – Red State – gothic Americana with a twinge of no wave. Gowns created an enrapturing, claustrophobic document of Middle America with Red State.
20. Shuta Hasunuma – OK Bamboo – Low key piano experiments that practically spell ‘pleasant’ without loosing its engaging touch.
21. Rhys Chatham – A Crimson Grail – Wildly powerful live document of 400 guitars playing like 400 guitars should; loud and long.
22. Avey Tare & Kria Brekkan – Pullhair Rubeye – While the concept that managed to piss off more than its fair share, Pullhair Rubeye is much more than a gimmick and nothing less than what Animal Collective fans should have come to expect of an album with Avey Tare.
23. The Lionelle – Oh! The Company We Keep! – This album did for me what Portugal. The Man did last year, produced a sharp indie rock record with which to simply rock.
25. Yeasayer – All Hour Cymbals – I still hear Fleetwood Mac and Paul Simon here and I think Yeasayer is all the better for it.
27. Blonde Redhead – 23 – I retried this album after initially discarding it and fell in love. Thank you Sassigrass!
29. Giant Skyflower Band – Blood of the Sunworm – Glenn Donaldson strikes again with more psych folk pleasantries that never dip below his standard of genius.
30. Health – Health – This self titled album sounds like filling a car with discordant guitars and pedals along with a full drums set and a thousand drum sticks and then driving the whole thing off a cliff. It’s that good.
31. WZT Hearts – Threads Rope Spell Making Your Bones – Um, this album is kind of like watching the crash of the car in the previous blurb filmed and shown in reverse. Kinda.
32. Radiohead – In Rainbows – A solid release from the Radiohead camp will always find a way onto my year end list, whether revolutionary or not.
33. The Dirty Projectors – Rise Above – Dave has long been one of my favourite musicians and Rise Above seems to be his great achievement after numerous recordings with scattered results.
34. Machinefabriek – Weleer – Two discs of compiled beauty from the Dutch experimentalist. If you like avant garde music, this album has a little bit of everything for you.
35. Angels of Light – We Are Him – Michael Gira has had a lot of admirers this year with dedicatory songs from Ben Frost and Klimek and We Are Him is the reason why. No one does gothic Americana quite as heavily or good as him.
36. Deerhunter – Cryptograms – This album is everything that critics have said about it. It isn’t hard to find someone gushing over Deerhunter this year.
38. Julianna Barwick – Sanguine – This album sounds like the more innocent, younger sister to Grouper’s Cover the Windows and the Walls. With that said, it is no wonder that it is so enriching.
39. Kemialliset Ystavat – untitled – This album is possibly the most bizarre on this list and is all the better for it. It sounds like packing a bomb with as many musical ideas as possible and the lighting the wick and watching to see how everything is blown to pieces.
40. Adrian Orange & Her Band – S/T – I have never liked Thanksgiving (Adrian Orange’s moniker) too much but something about this release, with its dub influences and choral embellishments is just impossible not to fall for.
41. Luke Temple – Snowbeast – A subtle, melancholic romp through some of the most exciting pop made all year.
42. James Blackshaw – The Cloud of Unknowing – meditative 12 string guitar picking that are simply transporting in their dreamy composition.
43. Battles – Mirrored – Wildly talented instrumental rock. In fact, this is about the only thing that has been exciting about instrumental rock for quite a few year
44. Andrew Bird – Armchair Apocrypha – an understated album from one of the wittiest muscians on the independent landscape.
45. Mouthus – Saw a Halo – The record that was most likely to have been mixed and mastered in a trash compactor.
47. The Tenants of Balathazar’s Castle – A Capella – Hushed, looped vocal experiments that are as surprisingly rewarding as they are unique.
49. Clipd Beaks – Hoarse Lords – No wave album of the year.
50. A Sunny Day In Glasgow – Scribble Mural Comic Journal – If Fennesz was in a pop band, this is probably how it would end up.
51. Pantha du Prince – This Bliss
1. Sunset Rubdown – Random Spirit Lover – The most multi faceted package of pure orchestrated incredibleness. It has been a long time since I have been so enamored with something so easily labeled ‘indie rock.’2. Grouper – Cover the Windows and the Walls – In comparison, nothing else on this list deserves to be called haunting. One of the most beautiful records I have ever listened to.
3. Pumice – Pebbles – My first true love of 2007. While it has been slightly upstaged by the albums I’ve placed in front of it, Pebbles is the kind of music that I wish that I would’ve created. Spanning territory from pop to drone to everything else in-between, Pumice is a versatile genius. Also, this would be a suitable blurb without the writing lo-fi.
4. Shugo Tokumaru – Exit – Imaginative folk pop perfection of the Japanese variety. Better than just about anything else you could be forced to call ‘charming.’
5. Aa (BIG A Little A) – Gaame – In a year with some great drumming, Aa’s Gaame has the best. Varied, wonderful, frantic rock that is the progressive as it is primal.
7. Bon Iver – For Emma, Forever Ago – The second most beautiful album of the year would be the most beautiful in any year that Grouper’s Cover the Windows and the Walls. Melancholy songwriting at its best.
8. Tim Hecker – Norberg - A puffy, billowy cloud of electro-acoustic bliss in just over twenty minutes. One singularly perfect, transcendent excursion.
9. Raccoo-oo-oon – Behold Secret Kingdom – A production miracle, Raccoo-oo-oon has taken everything that has made them mysterious noise rock maestros and channeled it into a crisp, resilient beast of a record. Behold Secret Kingdom is their masterpiece.
10. Animal Collective – Strawberry Jam – poppy and weird, Animal Collective continue to knock the socks off every, regardless of when and where you heard them first. Perfect for old timey AC fans and nubes alike.
11. Wooden Wand – James & The Quiet – Pure, strong American songwriting of incredible quality. One of the most critically underrated albums of the year in my view.
12. No Age – Weirdo Rippers - Turning arty noise rock into accessible slabs of punk perfection. One of my favourite new bands of 2007.
13. Marnie Stern – In Advance of the Broken Arm - Incredible guitar work supplemented by incredible drumming from Hella. Marnie Stern’s debut was the first great CD I heard in 2007 and it is still as beautifully dangerous as ever.
14. Ben Frost – Theory of Machines – The pure combination of machine and humanity, Ben Frost’s Theory of Machines is an apocalyptic exercise in grinding cinematics.
15. Deerhoof – Friend Opportunity – The most accessible album from one of the best experimental indie rock bands of our generation. An early release date may have caused a lot of people to forget about this one. Amazingly amazing.
16. Beirut – The Flying Club Cup – Didn’t hit the heights of Elephant Gun for me, but was definitely a solid effort in music that can only be measured in terms of grandeur. Blissfully reaffirming music from the boy wonder.
18. Navigator – Throwing Toungues – An on honest, penetrating album of lo-fi bedroom songs that require repeat listens.
19. Gowns – Red State – gothic Americana with a twinge of no wave. Gowns created an enrapturing, claustrophobic document of Middle America with Red State.
20. Shuta Hasunuma – OK Bamboo – Low key piano experiments that practically spell ‘pleasant’ without loosing its engaging touch.
21. Rhys Chatham – A Crimson Grail – Wildly powerful live document of 400 guitars playing like 400 guitars should; loud and long.
22. Avey Tare & Kria Brekkan – Pullhair Rubeye – While the concept that managed to piss off more than its fair share, Pullhair Rubeye is much more than a gimmick and nothing less than what Animal Collective fans should have come to expect of an album with Avey Tare.
23. The Lionelle – Oh! The Company We Keep! – This album did for me what Portugal. The Man did last year, produced a sharp indie rock record with which to simply rock.
25. Yeasayer – All Hour Cymbals – I still hear Fleetwood Mac and Paul Simon here and I think Yeasayer is all the better for it.
27. Blonde Redhead – 23 – I retried this album after initially discarding it and fell in love. Thank you Sassigrass!
29. Giant Skyflower Band – Blood of the Sunworm – Glenn Donaldson strikes again with more psych folk pleasantries that never dip below his standard of genius.
30. Health – Health – This self titled album sounds like filling a car with discordant guitars and pedals along with a full drums set and a thousand drum sticks and then driving the whole thing off a cliff. It’s that good.
31. WZT Hearts – Threads Rope Spell Making Your Bones – Um, this album is kind of like watching the crash of the car in the previous blurb filmed and shown in reverse. Kinda.
32. Radiohead – In Rainbows – A solid release from the Radiohead camp will always find a way onto my year end list, whether revolutionary or not.
33. The Dirty Projectors – Rise Above – Dave has long been one of my favourite musicians and Rise Above seems to be his great achievement after numerous recordings with scattered results.
34. Machinefabriek – Weleer – Two discs of compiled beauty from the Dutch experimentalist. If you like avant garde music, this album has a little bit of everything for you.
35. Angels of Light – We Are Him – Michael Gira has had a lot of admirers this year with dedicatory songs from Ben Frost and Klimek and We Are Him is the reason why. No one does gothic Americana quite as heavily or good as him.
36. Deerhunter – Cryptograms – This album is everything that critics have said about it. It isn’t hard to find someone gushing over Deerhunter this year.
38. Julianna Barwick – Sanguine – This album sounds like the more innocent, younger sister to Grouper’s Cover the Windows and the Walls. With that said, it is no wonder that it is so enriching.
39. Kemialliset Ystavat – untitled – This album is possibly the most bizarre on this list and is all the better for it. It sounds like packing a bomb with as many musical ideas as possible and the lighting the wick and watching to see how everything is blown to pieces.
40. Adrian Orange & Her Band – S/T – I have never liked Thanksgiving (Adrian Orange’s moniker) too much but something about this release, with its dub influences and choral embellishments is just impossible not to fall for.
41. Luke Temple – Snowbeast – A subtle, melancholic romp through some of the most exciting pop made all year.
42. James Blackshaw – The Cloud of Unknowing – meditative 12 string guitar picking that are simply transporting in their dreamy composition.
43. Battles – Mirrored – Wildly talented instrumental rock. In fact, this is about the only thing that has been exciting about instrumental rock for quite a few year
44. Andrew Bird – Armchair Apocrypha – an understated album from one of the wittiest muscians on the independent landscape.
45. Mouthus – Saw a Halo – The record that was most likely to have been mixed and mastered in a trash compactor.
47. The Tenants of Balathazar’s Castle – A Capella – Hushed, looped vocal experiments that are as surprisingly rewarding as they are unique.
49. Clipd Beaks – Hoarse Lords – No wave album of the year.
50. A Sunny Day In Glasgow – Scribble Mural Comic Journal – If Fennesz was in a pop band, this is probably how it would end up.51. Pantha du Prince – This Bliss
52. Seabear – The Ghost That Carried Us Away
53. MoHa! – Norwegianism
54. Besnard Lakes – Besnard Lakes Are The Dark Horse
55. M.I.A. – Kala
56. Eric Copeland – Hermaphrodite
57. Vic Chesnutt – North Star Desert
58. Mike Wexler – Sun Wheel
59. Woelv – Tout Seui Dans la Foret en Plein Jour, Avez-Vous Peur?
60. Handsome Furs – Plague Park
-Mr. Thistle
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