Paper Cranes & The Iron Eagles - Self Titled

LOCAL REVIEW
Paper Cranes & The Iron Eagles
Paper Cranes & The Iron Eagles
(01.2008, Magic Goat)
Verdict = Ear Melting Rock (In A Good Way)

Check the verdict, this stuff is nuts! A series of ancient Paper Cranes recordings discovered in some prehistoric cave halfway decomposed, halfway fossilized has surfaced. This is absolutely the most rocking thing that my ears have had the chance to be damaged by in some time. For those unfamiliar, Paper Cranes are Salt Lake's seminal experimental post punk saviors that shirked their savior responsibilities almost as soon as it was anointed them. Apparently this mess of blown out speaker shrapnel was the outcome of a jam session recorded on the quaint internal microphone of the band's iMac. The effect is as lo fidelity as you would find on a recording on a homemade cassette. It all adds to the enormous weight that exudes the music. The Paper Cranes have now taken on a seemingly chameleon-esque collective. On this album with The Iron Eagles moniker, the band are torching the ground they have previously paved with blistering instrumental psych rock freak-outs. It sounds a bit like Comets On Fire playing with the heft of The Goslings. There are some seriously deep bass tones here that I haven't heard the likes of since Grandeur of Hair. This is all really exciting for me as I was beginning to wonder if I would ever hear another Paper Cranes album again. Well the second part to this blissful Cinderella tale is that the whole album is downloadable for free! Released by Magic Goat Recordings, Paper Cranes & The Iron Eagles is the first of a series of monthly digital releases that will come from the site at no charge. The incredible idea is curated by none other than FG fave Braden J. McKenna, AKA Navigator, and will hopefully stick around for a long time. Go download the album now; you are in for an awesome ride.

-Mr. Thistle

Download it HERE

Drive By Truckers - Brighter Than Creations Dark

Drive-by Truckers
Brighter Than Creations Dark
(01.2008, New West)
Verdict: If you don't feel dirty listening, than you aren't doing it right.

Some people by nature are fanatical. When something comes along that they really relate to they invest themselves in it fully. Studying back stories, collecting random trivia, and more or less annoying anyone that doesn’t share their affections. I’m not one of those people, except for the annoying part. However, I am a big fan of Drive-by Truckers. Not being a fanatic, I haven’t kept up with Drive-by Truckers’ general goings on since their somewhat disappointing 2006 release. Nor have I taken the time to investigate which members of the band contributed which songs in their extensive catalogue, so when I heard that Jason Isbell had departed the band I wasn’t overly concerned. Then I went back through their albums to look up who wrote which songs and I realized that Isbell in fact wrote many of my all time favorite DBT songs. "Danko/Manuel," "Goddamn Lonely Love," and "Outfit" were all written by Isbell. In retrospect I realized that Isbell was the wild card. DBT’s other principle song writers Patterson Hood and Mike Cooley really are the original essence of DBT’s southern rock sensibilities, but Isbell’s songs made otherwise solid albums into something remarkable. After learning this, I had serious doubts about DBT’s 2008 release Brighter Than Creations Dark. My concern however has proven to be unfounded. Although the addition of Shonna Tucker doesn’t fill the void left by Isbell, her vocals do add a new dynamic to the band, and Hood and Cooley pick up the slack with some of their most interesting and enjoyable songs to date. DBT are truly in their element telling stories of life’s pitfalls, climaxes and generally unnoticed quirks. Brighter Than Creations Dark also finds DBT showing a more humorous side to contrast its generally gritty subject matter. "Bob" is a great song about the kind of odd guy that we all know, "The Righteous Path" rocks you like you know DBT can, and "I’m Sorry Huston" finds DBT at their most country with Shonna Tucker’s vocals. At 19 songs, you’d think that there won't be much left for DBT to sing about after this album, but if our own lives and Drive-by Truckers’ consistent history is any indication, there will be plenty more stories to tell, and hopefully plenty more songs to sing.

-Spruce Lee

Drive By Truckers Myspace

Busdriver - Roadkillovercoat

Busdriver
Roadkillovercoat
(01.2007, Epitaph)
Verdict = Enjoyable and stacked with potential

Busdriver is one of those overly charismatic personalities that are somehow both nuts and likable. Roadkillovercoat is my first Busdriver album though I have been familiar with him and caught him live with Islands a couple of summers ago. It’s fitting that he toured with them - assisting on the superb “Where There’s A Will There’s A Whalebone” aside – as his unconventional approach to hip hop practically begs for crossover success and the likely dismissal from more mainstream hip hop circles. Busdriver sprays rapid-fire, slap stick lyrics crammed into off kilter, poppy beats. It is ridiculous the amount of control Busdriver maintains while dropping his verbal bombs at breakneck speed. It is most certainly his most defined feature as an emcee. Yet, on Roadkillovercoat, Busdriver is most successful when he forces himself into slower territory. In the first three tracks Busdriver seems more of a novelty paraded for his distinctiveness rather than for how enjoyable he is. It is only when Busdriver slows it up a bit on “Secret Skin,” “Sun Shower,” and “Go Slow” (with a wonderful guest spot from Blanca Casady) that he begins to corral some really terrific gems. While the album doesn’t reach mind blowing territory, it is still coherent enough to be ridden from start to finish and doesn’t contain any segue tracks (my pet peeve in hip hop)! Roadkillovercoat simultaneously treads some standard B level backpacker hip hop while reaching some heights that place him, oddly, next to LCD Soundsystem and Panda Bear (a hard air to define). The album is definitely worth the price of admission and more than hints at a potential that could have Busdriver recording future classic that reaches beyond the perimeter of hip hop.

-Mr. Thistle

Shows This Week

Thursday (1/31), The Lionelle, Dead Horse Point, Patterstats and Abe Carter will present a local feast via Kilby Court. This will be one of three shows on Thursday that are worthy of note.

The Lionelle Myspace
Dead Horse Point Myspace
Patterstats Myspace
Abe Carter Myspace

Thursday (1/31), French Quarter will bring his folk pop to Slowtrain for the second time in so many months. His debut, Quarter, is certainly worthy of any number of spins and by the sound of it his live show should be quite charming.

French Quarter Myspace

Thursday (1/31), Urban Lounge presents a virtual match made in heaven with the incomparable Liars and the absolutely awesome No Age along with locals, Tolchock Trio. This is with out a doubt Forest Gospel's live pick of the week. It would be with Liars or No Age on their own so having a bill with the both of them is basically anointing this show as a pick of the quarter or possibly the year! Do not miss this show.





Thursday (1/31), HarryO's presents Talib Kweli, one half of the formerly influential Black Star. It is going to be difficult to try and promote this over Liars/No Age, but it is an easy choice for hip hop heads.



Friday (2/1), the dubiously titled genre award for the Slammies Mellow Yellow/Jazz band will actually hold some of the best bands of the entire series of awards with Calico, Coyote Hoods, Ether Orchestra and Aye Aye. For local shows, it doesn't get much better than this.

Calico Myspace
Coyote Hoods Myspace
Ether Orchestra Myspace
Aye Aye Myspace

Saturday (2/2), Kilby Court will host the second night(?) of Will Sartain's CD release party. While harboring Tolchock Trio and Live It Up Swet on the bill, the true reason to visit Kilby Saturday is for Brooklyn indie rockers Blood On The Wall. Should be a treat!

Will Sartain Myspace
Tolchock Trio Myspace
Live It Up Swet Myspace




Sunday (2/3), Kilby Court will present a close second for show of the week with the absolutely radical/awesome/incredible Yeasayer with the rising trend of MGMT. Another must see.

Shape of Broad Minds - Craft of the Lost Art

Shape of Broad Minds
Craft of the Lost Art
(08.2007, Lex Records)
Verdict = Best hip hop album of 2007

If you happened to follow the show listings that FG provided throughout the past year you probably have noticed the occasional nods to hip hop shows rolling through Salt Lake (and more often through Park City). The reason for the listings is basically the result of a long maintained affection for the genre. I have had intentions to review some of what I have heard in the field since we began Forest Gospel, but have hit writing blocks in my previous attempts. I think a part of this has been a general lack of enthusiasm for most of the current hip hop releases that I have come. In fact I was beginning to feel that I was either out of touch with the genre or that all the jabbering that has been going on for the last ten years about the death of hip hop was actually true. I mean it seems like ages since I‘ve heard a hip hop album that has defied the restraints of genre that are currently digging its grave. I still get little depressed when I get a hip hop itch that there is nothing new that satisfies and really no reason that there shouldn’t be. Albums like Deltron 3030, Fantastic Damage, The Cold Vein, Cloudead and many others still feel vibrant whenever they rock my speakers. To me that means that the idea of hip hop isn’t dead. Dwelling on the past can be a little irresponsible though. It just seems like the genre’s gems are becoming fewer and farther between. Fast forward to 2007 (or rewind a little bit at this point) and enter Shape of Broad Minds. Among some fairly enjoyable hip hop last year, Craft of the Lost Art is a complex tapestry of one million ideas and is the recorded salvation I have been waiting for. Really, pause for a second and take this in: Shape of Broad Minds have resurrected the creativity in hip hop. So here I am 326 words into this and I have barely introduced my subject. Well, for those sorting through this swamp of ridiculously tangential material, you should be happy because Shape of Broad Minds is fully qualified to be in class with these previous albums I mentioned above. Now, before you rush off and bust out X many shells to scoop up this delicious treat, know this – Craft of the Lost Art isn’t the easiest record to disassemble. In fact, it is reminding me a lot of the time that it took me to really get into Cloudead’s debut. Reason being the album is gargantuan pulling together 23 tracks! Beyond that, with all its lyrical depth and a musical diversity stretching into blues and jazz, this album is subtle in its charms in comparison to some of the in-your-face antics the genre is known for. Craft of the Lost Art takes old school, backpacker sensibilities and turns them from graffiti into street art. One of the greatest parts about Shape of Broad Minds is the ability to make fun hip hop music that is intelligent and relaxed. So who are Shape of Broad Minds? Well prepare for confusion – the group is mostly a collection of alter egos of one man, Jneiro Jarel. Along with Jarel’s genius the album takes on plenty of contributions that span the omnipresence of Panama Black along with guests MF Doom, Deborah Jordan, Count Bass D and multiple others. The outcome is a schizophrenic mix of track after track of grin inducing incredibleness. Seriously, while it may take weeks and weeks to digest, Craft of the Lost Art is the best hip hop debut to come around in a long time and is certainly the best hip hop album of 2007.

-Mr. Thistle

Shape Of Broad Minds (feat MF Doom) - "Let's Go"

John Wiese - Soft Punk

John Wiese
Soft Punk
(01.2007, Troubleman Unlimited)
Verdict = Art Noise Perfection

Almost exactly one year ago, John Wiese finally allowed himself to release a “debut album.’ The idea of this should come as a bit of a bold statement considering Wiese’s extremely lengthy back catalog of releases on seemingly every record label and recording format known to modern man. That said, Soft Punk somehow reveals itself as a seminal statement in Wiese’s convoluted history and if this is his debut only the most exiting of possibilities wait in store. Exhibiting a cut and paste aesthetic dealing with various blunt textures and punk samples, Soft Punk opens up new possibilities for the structure of experimental sound (de)construction. The compositions ebb and flow through schizophrenic flurries of noise and waning alleys of lightly glistening silence create an engaging listen that moves away from the lazy drones that seem to be so easily perpetuated by anyone with a loop pedal. It is truly a breath of fresh air in an otherwise deadening scene filled with little innovation. It is with this approach that Wiese has created something that not only contains that early spirit of punk that seems all but completely lost to the modern landscape of musicians, but also seems to be something that would fit aptly within a hip white walled gallery. It is a dual nature rarely achieved in any format and one which can only be created by true artistic sensibilities. Soft Punk is that creation and a seminal, unfortunately overlooked album on the lapsed horizon of 2007. If I would have had these tones running through my headphones in 2007 Soft Punk would most assuredly cracked the top ten spots on my year end list. A terrific case of high expectations being not only matched, but trounced in the wake of something wholly original and inspiring; bravo!

-Mr. Thistle

John Wiese - Winter Vacation

Devendra Banhart - Smokey Rolls Down Thunder Canyon

Devendra Banhart
Smokey Rolls Down Thunder Canyon
(09.2007, XL)
Verdict = Better Than Expected

Does it seem to anyone else that with all the hype that naturally befalls a release from Devendra Banhart that there was absolutely no fanfare, critical or otherwise for the most recent, Smokey Rolls Down Thunder Canyon? The first possible deterrent, yes, following in step with Cripple Crow, SRDTM is a lengthy, bloated affair stretching every allowable centimeter of the CD that carries it. Psychologically, this has to be one of the foremost deterrents to the album. Who wants to sort through such a mess? The second, Devendra’s media presence (and lyrics) have grown ominously weirder awash with every facet of the bizarre gypsy life that he apparently leads. I will be the first to admittedly cast myself into this lot of over-lookers who, despite having an extreme affection for his past work, simply just let the album drift out of view without so much as a glance as it toppled over the water fall into obliviously lost albums. Well, it seems that the record has resurfaced for me and I’m inclined to tell you why you should be jumping into oblivion's waters to retrieve it for yourself because SRDTM is Banhart’s best since Rejoicing in the Hands left an entire musical community slack-jawed and starving for more. The album definitely showcases Banhart’s incredible versatility, evoking a tapestry of songs that weave in and out of differing genre moods as if he was their originator. Within a handful of tracks, retrieved from any place area of the album, you can find the frail ghost of Jim Morrison, reinterpretations of Grease era pop and constant caricatures of psychedelic folk and classical rock all filtered through Banhart’s skewed vision. The results are always satisfying and upon repeat listens affectionately memorable. It really becomes difficult not to love the album. So, while Banhart could be taught a lesson or two on thinning out his playlist, I am definitely not going to complain about one of the greatest unsung opus’ of last year.

-Mr. Thistle

Devendra Banhart - Shabop Shalam

Stars Of the Lid - Stars Of The Lid and Their Refinement of the Decline

Stars of the Lid
Stars of the Lid and Their Refinement of the Decline
(04.2007, Kranky)
Verdict = More Sleepy Magnificence

I have neglected this release for far too long. Too be honest, I just think I wasn't ready for the undertaking that is involved with a double disc Stars of the Lid release. I mean, the albums predecessor, Tired Sounds of Stars of the Lid was undoubtedly legendary, but it has taken most of the five year gap between that release and this to really come to terms with its achievements. I think the general reason for this is that as their previous record implies, it can be difficult to remain attentive during their entire set, let alone one disc of the two. While the drowsy affect of the music is almost expected from the composers, it is a doubly difficult and lengthy process to digest the whole thing. Procrastination catalyst numero dos: Stars of the Lid, while certainly inhabiting their own signature realm in the world of ambient drone, do not move quickly in anything they do which includes innovation. And Their Refinement of the Decline may as well be an additional two disc to the two already scored for Tired Sounds. There isn't a great heap of indicators from one album to the next that differentiate them. That said, I had become quite comfortable with the idea of retaining my listening achievement in understanding Tired Sounds and didn't have any premonitions to invite more Stars of the Lid into my already crowded musical life. Now, more than a half year after their release, the expected praise and inflated Metacritic scores have finally broken my will and here I am trying to sort through this endless ocean that is Stars of the Lid and Their Refinement of the Decline. As previously stated, Stars of the Lid manufacture a signature sound, so signature in fact that the following descriptors could be interchangeable with most any SotL release. Refinement's sound hangs like a supernatural mist, organic and constantly flowing like an audible reflection the human spirit. SotL are more classically inclined than their contemporaries and have far fewer electronic tints to their work (if any at all). The compositions are meticulous and, as the album title suggests, downtrodden in their mopey drift. So here is the question, does the world really need an additional Stars of the Lid record? After hours and hours with Refinement, I am going to have to concede with an emphatic yes. Just as relevant and enrapturing as their past releases, just as emotive and just as gorgeous, but in the end, not an album with which you should ever have to say just. Magnificent; one of the best of 2007.

-Mr. Thistle

Stars of the Lid - Humectez La Mouture

Black Mountain - In The Future

Black Mountain
In The Future
(01.2007, Jagjaguwar)
Verdict: Can I get a heeeyyyllll yeeahhh?!

If Forest Gospel still gave numerical ratings, I would have slapped a ten on this faster than Shakira can shake her hips. Last year Mr. Thistle dubbed Random Spirit Lover his album that was impossible to not air guitar to. I always thought it impossible that an album could physically force you to air guitar without thinking until In The Future blew my mind and sent my arms flailing in the air on first listen and has not stopped moving them after at least fifteen repeats. Even now as I listen to the album to write the review I am having a hard time keeping my fingers on the keyboard and not on my imaginary guitar strings or drum sticks. Black Mountain put on one of the best live shows I have ever seen last year which had a similar effect on the viewers. No one could hold still as they listened to Black Mountain take classic rock, obliterate it, rearrange it, and finally make it feel like it belongs in the present. Even the most staunch of passive viewers head banged and wiggled as if possessed. In The Future takes the good from previous Black Mountain releases, heavily polishes it and makes it epic. Especially in the eight minute "Tyrants" that has at least four movements, ranging from some of the most mellow stretches of the album to one of the most intense build ups. The album rocks and lulls, making it much more appealing as an album rather than individual tracks. In "Queens Will Play" the vocal and ambient laden build up lasts over four minutes for an ending thirty second jam. This is the kind of album that when I am listening to it a track will come on and I will say "I love this track, this is the best track on the album" and then when the song ends and the new one starts I say "I love this track, this is the best track of the album." I was heavily anticipating In The Future since seeing them last year at Kilby and am now desperately waiting for them to come back to Salt Lake City for an encore rocking performance of In The Future.

-Sassigrass

Black Mountain - "Tyrants"

Giant Skyflower Band - Blood Of The Sunworm

Giant Skyflower Band
Blood Of The Sunworm
(03.2007, Soft Abuse)
Verdict: Welcome back hippy

Last year Glenn Donaldson of Skygreen Leopards set out with friend Shayde Sartin, a bunch of good weed and a sitar, destined to birth the most hypnotic hippie revival stoner album of the year. Blood of The Sumworm ended up on both mine and Mr. Thistle's year end list but somehow got skipped over throughout the year in album highlights. So now, to do it some justice, I am highlighting one of the more exotic albums to land in our lists. Blood of the Sunworm's analog recordings are labeled as progressive psych rock, but digressive psych rock may be a better term. Each track feels like you just discovered an incredible gem in your crazy uncle's record collection. It's slightly depressed, weary, hazy strummers are also somehow fun. It's mellow air will have you meditatively floating, high or not.

-Sassigrass

Giant Skyflower Band - "Oh Mary Green"

Shows This Week

Looks like the brunt of this weeks interesting shows are part of the City Weekly Slammy's. Here is a brief run down of the shows which all appear to be scheduled for the weekend:

Friday (1/25), Kid Theodore, The Future of the Ghost and Seve VS Evan will battle out their Pop/Indie status at Velour.

Friday (1/25), I Hear Sirens, Our Time In Space and DulceSky will be seeking to close eyelids at Liquid Joe’s by parading their ascribed “Ambient Rock.”

Saturday (1/26), The Lionelle, Lets Become Actors and Cavedoll will be hashing out the other half of the “Pop/Indie” ticket at Urban Lounge.

Saturday (1/26), and in the apparently burgeoning “Noise” category Tenants of Balthazar’s Castle, Palave of Buddies, I Hate Girls with Bruises, Yeti, Agape, Ether and Ih863335 will be creating an impending fire hazard in the basement of Red Light Books.

1/31 – French Quarter - Slowtrain
1/31 – The Lionelle, Dead Horse Point, Patterstats – Kilby Court
1/31 – Liars, No Age, Tolchok Trio – Urban Lounge
1/31 – Talib Kweli – HarryO’s
2/01 – Aye Aye, Ether Orchestra, Coyote Hoods, Calico - Woodshed
2/02 – Blood On The Wall, Will Sartain cd release – Kilby Court
2/03 – Yeasayer, MGMT – Kilby Court
2/06 – Navigator, Aye Aye, Stag Hare, Grizzly P. – Kilby Court
2/09 – The Future of the Ghost, Cub Country, Libbie Linton – Kilby Court
2/27 – Mahjongg, Calvin Johnson – Kilby Court
2/27 – Sole, Telephone Jim Jesus, Sinthesis – Urban Lounge
2/27 – Built To Spill, Meat Puppets – The Depot
2/28 – The Future of the Ghost, Band of Annuals – Kilby Court
3/06 – A Place To Bury Strangers, Holy Fuck – Urban Lounge
3/07 – The Vandals – In The Venue
3/08 – Panther, Navigator – Slowtrain
3/09 – Living Legends – Kilby Court
3/10 – Xiu Xiu, Thao Nguyen – Urban Lounge
3/10 – The Helio Sequence – Kilby Court
3/14 – Leslie & The Ly’s – Kilby Court
3/18 – Zion I – Urban Lounge
3/21 – Beach House, The Papercuts – Kilby Court
3/22 – Tokyo Police Club – Kilby Court
3/22 – Jose Gonzalez, Mia Doi Todd – Union Ballroom
3/24 – Explosions in the Sky, Lichens, Black Moth Super Rainbow – In the Venue
3/24 – Aloha, Georgie James (formerly of Q & Not U) – Urban Lounge
3/26 – Headlights, Evangelicals – Kilby Court
4/03 – Cryptacize (members of Deerhoof & Nedelle) – Kilby Court
4/12 – Why? – Urban Lounge
4/14 – RJD2 – Urban Lounge
4/15 – Blitzen Trapper, Calico – Urban Lounge
4/16 – Enon – Urgan Lounge

Woelv - Tout Seul dans la Foret en Plein Jour, Aves-Vous Peur?

Woelv
Tout Seul dans la Foret en Plein Jour, Aves-Vous Peur?
(12.2007, K Records)
Verdict: wonderful

The art book packed alongside Woelv's brilliant new album features pictures of a girl being set on fire, kids knifing each other, a man who has just stepped onto a landmine, a ghost forcing a girl to cut her wrists and other not so pleasant visual treats. These pictures are basically what the music sounds like. Despair seems to be the theme Geneviève has chosen to represent the world we live in as she tells the tales of oppression, war, rape, and other discomforting aspects of life. Geneviève's Bjork-esque layered vocals have a very human and honest quality which gives the otherwise heavy themed album a distinct sense of hope. The music generally consists of simple acoustic guitars, with the occasional bass or piano being backed by Microphones' inspired percussion (She is married to Phil Elverum after all). It's a pretty gloomy album, so those looking for feel good Juno soundtrack indie pop should look elsewhere. But for those that appreciate honest music that's beautiful in its own right, this is for you.

-Wooly Mammal

Stream the album HERE